Marty Gold and His Orchestra plays 24 Pieces of Gold. Made available by Vinyl Lounge Hat.
The Breeze and I

 Istanbul 1925 - "presents a collection of legendary performers from one of the most exciting periods in Middle Eastern music. Belly dancing, folk music and classical styles were merged together, creating a sound that became the rage of Istanbul - a city situated literally at the crossroads of Europe and Asia. The greatest cabaret singers, musicians, dancers and classical artists from various ethnic backgrounds - Turks, Armenians, Jews, Greeks and Gypsies lived in Istanbul, creating a musical style that dominated the city for more than half a century.
Istanbul 1925 - "presents a collection of legendary performers from one of the most exciting periods in Middle Eastern music. Belly dancing, folk music and classical styles were merged together, creating a sound that became the rage of Istanbul - a city situated literally at the crossroads of Europe and Asia. The greatest cabaret singers, musicians, dancers and classical artists from various ethnic backgrounds - Turks, Armenians, Jews, Greeks and Gypsies lived in Istanbul, creating a musical style that dominated the city for more than half a century.
 The Cool Ghoul turns 92 today, but he doesn't look a day over 483! I didn't grow up in Philidelphia., so I couldn't watch him doing his horror-host gig on TV, but I wore out the grooves on my Dinner With Drac 45:
The Cool Ghoul turns 92 today, but he doesn't look a day over 483! I didn't grow up in Philidelphia., so I couldn't watch him doing his horror-host gig on TV, but I wore out the grooves on my Dinner With Drac 45:







The Ondioline is a vacuum tube-powered keyboard instrument, invented in 1941 [1] by the Frenchman Georges Jenny, a forerunner of today's synthesizers.
The Ondioline was capable of creating a wide variety of sounds. Its keyboard had a unique feature: it was suspended on special springs which made it possible to introduce a natural vibrato if the player moved the keyboard (not the entire instrument) from side to side (laterally) with their playing hand. The result was an almost human-like vibrato that lent a wide range of expression to the Ondioline. The keyboard was also pressure-sensitive, and the instrument had a knee volume lever, as well.
A few videos:



 
 (c. 1979)
(c. 1979)



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