One of the bad things about Carnival is that it almost invariably ends in a head full of flu, a voice like Tom Waits after gargling the contents of the Algerian desert and lungs that feel as if a whole congregation of shamen is practising wax doll rituals on them. Mr Weatherman says that today we have the meteorological start of spring, but having ventured outside I have the impression that Mr Weatherman is about as competent in matters of spring as a pack of Siberian ice bears and should be posted back to Archangelsk as quickly as possible.
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So while I am sitting here, nursing a mood for which
grumpy is an excitingly euphemistic expression, what better to do than to head over to
Rato's Portuguese party pooch for a bit of Brazilian summer: Rato has posted two double albums worth of excellent Bossa Nova recordings. The mix includes all the great names you'd want to hear on a Bossa collection, so while there may be few surprises for the true connoisseur, this is still a great way to waft away on an afternoon full of
saudade. Especially when you're serenaded in one of the most delicious tongues of the world.
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And while we're over at Rato's don't forget to browse for another excellent album: Spanish singer Patxi Andión's rarely heard
(Once Canciones Entre Paréntesis) (Eleven Songs In Parentheses) is also available for download. I don't know too much about Andión, I must admit - he seems to be around more as an actor and composer these days - but this album was obviously part of a handful of records he released during the early Seventies. A live-in-the-studio recording, this gives friendly nods and nudges to a couple of traditions: European chanson and schlager, North American balladry, the Latin American protest singers of the era, but all of that mixed together with a very individual twist. A truly wonderful disc.
Rato's blog had been mentioned a couple of times here already so suffice to say that there's loads of other interesting stuff there, bossa and beyond. Make sure to check out his Nostalgia collections as well.
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